From The Front Row:
at The Launch of Freedom’s Child
One of 2015’s Hottest Books
At 6pm last Thursday, Dubray Books, in Dublin’s cosmopolitan Grafton Street, became a world filled with crime. But not the usual kind – this was a room buzzing with goodwill and anticipation as published and yet unpublished crime writers, crime readers and friends and family of Jax Miller (Áine O’Domhnaill) came together to celebrate her Dublin launch of Freedom’s Child.
Stacks of her orange and black debut novel are quickly snapped up, like prized possessions, as staff replenish them while topping up glasses of wine and prosecco. The cover is a haunting affair showing a lone figure walking towards you with the tag line:
All She Wants Back Is Her Daughter
Two powerful quotes are emblazoned across:
‘Original, compelling and seriously recommended’
‘A terrific read from a powerful new voice’
There are shouts, hugs and cameras flashes as introductions are made between old friends and new, until suddenly an eerie silence encases the room and all eyes turn.
Jax Miller has arrived!
Read the full article here on
The crowd hushes as Miller reads the prologue from Freedom’s Child.
“My name is Freedom Oliver and I killed my daughter …”
Freedom’s Child by Jax Miller
‘A terrific read from a powerful new voice.’
‘Original, compelling and seriously recommended.’
A heart-stopping debut thriller about a woman named Freedom, who will stop at nothing to save the daughter she only knew for two minutes and seventeen seconds.
Call me what you will: a murderer, a cop killer, a fugitive, a drunk…
There’s a lot people don’t know about Freedom Oliver. They know she works at the local bar. They know she likes a drink or two.
What they don’t know is that Freedom is not her real name. That she has spent the last eighteen years living under Witness Protection, after being arrested for her husband’s murder. They don’t know that she put her two children up for adoption, a decision that haunts her every day.
Then Freedom’s daughter goes missing, and everything changes. Determined to find her, Freedom slips her handlers and heads to Kentucky where her kids were raised. No longer protected by the government, she is tracked by her husband’s sadistic family, who are thirsty for revenge. But as she gets closer to the truth, Freedom faces an even more dangerous threat.
She just doesn’t know it yet.
Check out the Killer Reads TEASER TRAILER here.
“‘An exceptional talent, crime fiction doesn’t get much better,” Lee Child
I first had the pleasure of meeting Stuart Neville at the Killer Books Crime Festival in Derry last November and vowed to catch up on his books as soon as I returned to Dublin. I’m glad I eventually fulfilled that promise – I enjoyed The Final Silence so much that Neville has been added to my ever-growing list of favourite writers.
I found Neville’s writing style reminiscent of Ian Rankin who is quoted as saying, “fast, furious, bloody and good.” While James Elroy commented on The Twelve, ‘the best first novel I’ve read in years. It crackles. It grips you by the throat. It’s a flat-out terror trip. This is some guy to watch out for in a dark alley.”
I’ll be interested to hear what you think.
You can read the full interview on writing.ie by clicking here.
The Final Silence twists and turns like a rollercoaster with a powerful plot at its core. To whet your appetite, here’s the blurb:
Rea Carlisle has inherited a house from an uncle she never knew. It doesn’t take her long to clear out the dead man’s remaining possessions, but one room remains stubbornly locked. When Rea finally forces it open she discovers inside a chair, a table – and a leather-bound book. Inside its pages are locks of hair, fingernails: a catalogue of victims.
Horrified, Rea wants to go straight to the police but when her family intervene, fearing the damage it could cause to her father’s political career, Rea turns to the only person she can think of: DI Jack Lennon. But Lennon is facing his own problems. Suspended from the force and hounded by DCI Serena Flanagan, the toughest cop he’s ever faced, Lennon must unlock the secrets of a dead man’s terrifying journal.