Some of Ireland’s best writers take to the stage: Declan Burke in conversation with Declan Hughes, Alan Glynn and Alex Barclay (Presented by Red Line Book Festival / New Island Books).
An evening of discussion on Irish Crime Writing: Author, editor and journalist, Declan Burke, will be leading the conversation to unravel the ins and outs of the crime-writing process, the development of gripping plots and characters and the evolution of Irish crime writing.
Date: Wednesday, 12 October 2016
Venue: The Civic Theatre, Loose End
Admission: €8/€6 concession
Perfect for crime fiction fans and aspiring authors – but it comes with a warning – as there will be a discussion of crime novels etc. and their content, the panel may be unsuitable for a young audience.
I’ve my seat booked and ready to go – hope to see you there!
There’s plenty of events to keep all avid readers and aspiring writers busy over the next few weeks and plenty more to come. Check out a selection below.
Hope to see you there!
Trinity College Dublin and Glucksman Ireland House, New York University are holding a festival devoted to Irish crime fiction, featuring more than a dozen of the most exciting Irish crime novelists. This will be a memorable weekend, devoted to a key genre of contemporary Irish writing, so please make plans to join us.
Among the confirmed participants are Conor Brady, Declan Burke, Jane Casey, Paul Charles, Michael Connelly, John Connolly, Conor Fitzgerald, Alan Glynn, Declan Hughes, Arlene Hunt, Gene Kerrigan, Kevin McCarthy, Brian McGilloway, Eoin McNamee, Stuart Neville, Niamh O’Connor, Louise Phillips, and Michael Russell.
We’re particularly pleased to announce that our weekend will conclude with a major event: for the Irish launch of his newest novel, The Gods of Guilt (Orion Books, November 2013), Michael Connelly will be interviewed by John Connolly. After the interview, and questions from the audience, Michael will be signing books, which will be for sale on the evening. Tickets are required for this final event, and they are €6 (inc. fees) from eventbrite.com.
Date: Friday, 22 – Saturday, 23 November 2013
Venue: Trinity College Dublin
Admission: Free events (€6 for Closing Event)
From the time she was born, Emma Byrne was different from other children. Shy and reclusive, her world revolved around animals, so much so that by the time she was 15, Emma was a much sought after horse trainer.
So who would try to harm this gifted young woman? Who was shooting in Crilly Woods on that fateful August day?
Emma’s twin brother, Anthony, is determined to get to the bottom of what happened to his sister, and in the course of his investigations makes a terrible mistake, one that will change all their lives forever.
The Outsider: sometimes those who love us most hardly know us at all.
Date: Thursday, 7 November 2013
Venue: The Gutter Bookshop
November is a jam-packed month full of events to keep all avid readers and aspiring writers busy!
And I am delighted to have my short story, Secret Librarian, included, along with pieces from fellow Platform One Writers – Michael Whelan and Doreen Duffy in the:
Venue: RUA RED, Tallaght
Tickets: Free but booking essential on 01-451 5860 or firstname.lastname@example.org
South Dublin County Library’s Red Line Books Festival proudly presents an evening of new work by emerging and recently published writers from South County Dublin.
New work by emerging writers based in and around RUA RED, read and performed by actors from South Dublin theatre and film groups in a collaborative and inter-generational showcase event.
Writers, artists, theatre and film groups from a wide range of backgrounds and age groups are based in RUA RED South Dublin Arts Centre. Individuals and groups based in the building are producing diverse creative projects from poetry, novels, audiobooks, songs and digital media installations to short films.
The first ever Re(a)d Line Writing event introduces a collaborative production of this work to you, the audience.
Led by writer Sue Hassett and actress Rachael Dowling, Red Line presents a one-hour reading and performance of new work.
This event will be recorded for podcast by Curious Broadcast –
Curious Broadcast is a broadcasting space where communities and individuals can exchange and generate new ideas and imaginings for social change www.curiousbroadcast.com
These events are part of South Dublin County Libraries 4-day Red Line Books Festival.
15% discount at Rua Red Café from 7 to 8pm
An evening with writers Eileen Casey, Louise Phillips and Colm Keegan
Venue: Civic Theatre, Tallaght
Niamh O’Connor, Conor Brady and Sam Millar. Chaired by Louise Phillips.
Venue: Smock Alley Theatre
Tickets: Free but as seats are limited it is advisable to arrive by 6.15pm
Sam Millar is author of highly acclaimed crime novels, the most recent of which, Dead of Winter, is the third Karl Kane novel and Conor Brady, former editor of The Irish Timesand author of crime novel A June of Ordinary Murders.
Louise Phillips is the author of Red Ribbons and her second novel, The Doll’s House, is due out in 2013.
with John Connolly, Niamh O’Connor, Declan Hughes, Declan Burke and Mark Billingham
Venue: Civic Theatre, Tallaght
Tickets: €10/€8 concession
The Wait Is Almost Over!
Red Ribbons, the debut novel by Louise Phillips, will hit the book shops on Monday, 3 September.
But, if you can’t wait that long, it’s already available on Amazon, where reader reviews hail this chilling, psychological crime fiction book as one to make your heart pound and freak you out!
Louise, as well as being an accomplished writer, is also an inspiration to all around her, offering help and advice to writers on every rung of the literary ladder.
I would like to wish her all the success she so rightly deserves and look forward to helping her celebrate at her book launch on:
Wednesday, 5 September at 6.30pm in Hughes & Hughes,
St Stephen’s Green Shopping Centre. Maybe I’ll see you there?
Anyway, time to get this Blog Tour on the road. Check out the answers to the ten questions that,
as a fellow crime fiction reader and writer, I put to Louise:
1. Tell us about your debut novel, Red Ribbons:
Well the best way to describe it is to give you a mini-blurb.
A missing schoolgirl is found buried in the Dublin Mountains, hands clasped together in prayer, two red ribbons in her hair. Twenty-four hours later, a second schoolgirl is found in a shallow grave – her body identically arranged. Police call in criminal psychologist, Kate Pearson, to get inside the mind of the murderer before he strikes again. But the more Kate discovers about the killings, the more it all feels terrifyingly familiar. As the pressure to find the killer intensifies, there’s one vital connection to be made – Ellie Brady, a woman institutionalised fifteen years earlier for the murder of her daughter Amy. Ellie stopped talking when everybody stopped listening. But what connects the death of Amy Brady to the murdered schoolgirls? As Kate Pearson, begins to unravel the truth, danger is closer than she knows.
The bad man is everywhere, but can she see him?
2. Which character, that you have created, is your favourite and why?
That’s a hard one. When I finished the first draft of the novel, I missed all my characters, even the killer. It was before Christmas, and I had no Christmas shopping done, no decorations on the tree, but still I turned around when I got to the end of the manuscript, and I thought, gosh, their voices won’t be living with me every day anymore! And it felt like they had vanished. But of course they did come back – in the editing process and beyond. And in a way it was like old friends visiting, and in a kind of way, like they had never really left. But which one is the favourite???? I think it has to be Ellie, mainly because she went on the biggest journey. I also wrote her in first person narrative, which is always a more intimate experience for the writer. I lived her life for a time, or as close to it as a writer can with their fictional creations. Ellie is the woman who stopped talking because everyone stopped listening. She is the woman life left behind for a time, a person on the margins, but a woman of great strength in my opinion. I knew that from the moment she came to life on the page. Ellie was her own woman, and a testament that there is always light within the dark.
3. Where do you get your ideas from?
They come from everywhere, and nowhere, the present and the past, the imagined and the actual. I know that sounds very vague, but it is kind of a vague process. I sometimes think logic has no place in writing. By this I don’t mean you should put a garbled mess on the page, but more that sometimes it’s not a good idea to try to quantify it too clearly. On occasions, you are not completely sure what the story will be about, you have an idea yes, but often the end result is very far from what you perceived initially. It usual starts with an idea or a visual stimulation for me, something which asks a number of questions. I like to write about things which will push me as a writer, and also something with a huge emotional connection. It has to be real, it has to mean something to me, otherwise, if it doesn’t, and it doesn’t excite me, well it isn’t going to excite the reader either.
4. Who, in the writing world, has inspired you most?
So many writers, far too many to put down here on the page, and many of which are Irish. If there was an Olympics for writers, Ireland would come home with plenty of gold medals. I love great prose, and by that I don’t necessarily mean heavy literary stuff, but words which get inside my head emotionally. Most readers are the same. You recognise something good very quickly – it simply works. And when you write, you very often get a sense when something has that extra quality. It usually arrives around three o’clock in the morning when you want to sleep, but an idea is bubbling inside of you. If I had a euro for the amount of times I’ve gotten out of bed in the middle of the night and written in long hand, well I’d have a much bigger bank account! Like many, I have a favourite book shelf, and when I’m old and very grey, I’m going to take the books down one at a time, and read them slowly all over again.
5. When and where do you write best?
Early morning generally before the rest of the world gets in the way. Life is complicated, and we are bombarded with stuff, not simply with work or family, but noise everywhere – television, the radio in the car, social media, voices of strangers, and the credit card bill that you have to pay. It all gets caught up in a traffic jam called life. I live in the Dublin mountains, and in the early morning I can hear birdsong. After stormy nights, I listen to the wind whisking across the valley. It reminds me of when I was younger, and I would get up before everyone else woke up, to catch the sunrise as it reached a gap in the tenement buildings where we lived.
In the morning you are fresh, unburdened in many ways. As to where, I have different places, but I’ve often written in the bedroom with all the blinds down, blocking out a beautiful day. You don’t need great views to write, or even birdsong – all you need is an idea, a pen and paper, and the mental space to create.
6. What book are you currently reading?
At the moment I’m reading, Ancient Light by John Banville, but I have a stack of books by my bed yet to be read. They are The Paris Wife by Paula McLain, On Canaan’s Side by Sebastian Barry, Slaughter’s Hound by Declan Burke, Solace by Belinda McKeon, and Blue Monday by Nicci French. So much joy, so little time!!!
7. Could you ever see yourself writing in another genre?
Yes is the simple answer to that, and perhaps even for a different age group. I didn’t set out to write a crime novel, although I recognised fairly early on that my writing tended to visit darker issues. My children have often asked me why I don’t write about happy things, but I don’t see it like that. I like to think I find light within the dark, hope when there might seem little. Crime fiction is well suited for exploring elements with high emotional stakes, and I do think genre is important as a means of quantifying the script for the reader. At the end of the day however, you write about something you feel passionate about. If that happens to be under the crime umbrella, well that’s fine. If it’s another kind of exploration, well that will work too. Most of us read many genres, which is good, and writers and readers are like-minded souls.
8. Do you think it’s important for writers to connect with their readers on-line?
For sure. Online participation is not for everyone. I can understand that. Some writers find it makes their environment too noisy, and I can understand that too. Online presence however is part of our current communication system. Years ago complete strangers got to know each other, and became lifelong friends, writing letters to their pen pals, others people might have spoken for endless hours on their phone. Ireland is a nation of talkers – we didn’t have the highest per capita use of mobile phone users in Europe because we don’t speak a lot to one another. Now online activity, Twitter, Facebook, Blogs, email, is everywhere. When cars were invented, some preferred another means of transport. It is of course down to the individual.
A writer needs to connect with their readers, or potential readers. The emergence of writers going down the self-publishing route has broken down many of the old barriers to publication. If you are happy to connect with others online, you will find an audience – at the end of the day, you can have the best story in the world, but you want people to read it.
9. I know you’re currently working on your second novel, The Dolls House, can you share a little about it?
Yes, I’m writing The Dolls House, and yes, I’m very excited by it. I’ve chatted to a couple of people about it, and when I do I notice I start to talk faster, and louder, and my eyes open wide – all tell-tale signs! I can tell you it involves hypnosis, the sub-conscious, the death of a well known television personality, and memory. If I was to put a question out there, it would be – What if the one memory which could save your life, is the thing you cannot remember? You can read the prologue for The Dolls House on my website www.louise-phillips.com but I will give you a quote from it as a kind of introduction.
“After the fall, her white porcelain face spilt in two, half-cracked like me. I looked inside the crack, into the dark, and found emptiness. She is still here, just like the others from my doll’s house – living inside of me.”
10. And finally, what do you predict will be happening when I check back with you in a year from now?
Well, it will be six weeks to publication of The Dolls House. I hope, and I think, I will have learned a lot along the way. I’m learning all the time, and not just about writing. I’m learning about all aspects of one of the biggest contradictions of all – the solitary writing process saying hello in a very public way to the world outside!
I look forward to checking back, Louise, after we’ve had a taste of Red Ribbons. In the meantime, we’ll just have to whet our appetite with the Red Ribbons trailer . . .
RED RIBBONS Trailer – Click Here!