Category Archives: Writing
It’s 1 January 2020 and a new year beckons!
Resolutions have been made and if writing is your passion then what better way to get motivated than by sourcing a competition or two with a looming deadline.
I’ve copied details of a number of interesting competitions below and wish you luck with your writing and submission:
Cúirt New Writing Prize 2020
Deadline: 31 January 2020
Written Word: 2,000 words maximum.
The CWA Margery Allingham Short Mystery Competition 2020
Deadline: 29 February 2020
Written Word: 3,500 words maximum.
The CWA Debut Dagger Award
Deadline: 29 February 2020
Written Word: Opening of a crime novel not exceeding 3,000 words and a synopsis of up to 1,500 words.
2020 Bristol Short Story Prize
Deadline: 30 April 2020
Written Word: 4,000 words maximum.
Please check all submission details to ensure correct – apologies from me if, in my excitement at finding such fabulous competitions to enter, there are any errors.
I can’t sing. I can’t dance. But I love to write.
Since joining my first Creative Writing class in 2008, I haven’t looked back. When the ask came to enter Bank of Ireland’s Got Talent I thought, why not? My recent decision to say Yes to everything and worry about it later has landed me here – surely the perfect opportunity to push myself forward while having a little fun and benefitting two really worthwhile charities – the Irish Heart Foundation and Age Action.
Please help me help them by giving whatever you can using the ‘Give Now’ button via the link below.
The more people that know about the Irish Heart Foundation, the greater their impact, so please also spread the word by sharing my page with your friends and family.
Thank you in advance for your generosity, it means a lot!
To celebrate Poetry Day Ireland 2019 and in conjunction with Poetry Ireland‘s chosen theme this year: ‘Truth or Dare‘, the Olivier Cornet Gallery, in collaboration with the poet Orla Grant-Donoghue, has invited a group of poets to respond to David Fox’s current show at the gallery.
The poets will be reading their work from:
Date: Thursday 2nd May 2019
Venue: The Olivier Cornet Gallery, 3 Great Denmark Street, Dublin 1
All welcome to this free event but we advise reserving a place by emailing email@example.com.
‘An Altered Land’ is an exhibition of recent works by David Fox, showcasing a selection of the artist’s current painting practice.
While living in Belfast, Fox made paintings of the well-known Peace walls, plus other social/political ‘barriers’ that are still maintained and divide local communities. During this time, he was working part time as a driver and daily trekked from one side of the city to the other, thus gaining great insight to the back streets of the city. He travelled back and forth from his hometown of Tullamore, inspiring some of these desolate motorway and road scenes. Also, frequently travelling through the Irish border, he then began documenting various border crossings. These works intended on highlighting the vulnerability of an intangible frontier now challenged by an uncertain future. As is also evident in these paintings, the artist has a love of the great outdoors. As a frequent traveller, he often spends down time exploring rural Ireland, often hiking mountains, country walks, or other various leisure activities.
The confirmed poets presenting are Eileen Casey, Susan Condon, Catherine Ann Cullen, Doreen Duffy, Eoin Flynn, David Grant, Orla Grant-Donoghue, Brian Kirk, Éamon Mag Uidhir, Jasmina Šušić, Christian Wethered and Micheal J. Whelan.
Poet, fiction writer, journalist and publisher, Eileen Casey lives in South Dublin. Poetry and prose collections are published by Arlen House, AltEnts and New Island. Her work features in anthologies by Faber & Faber, Poetry Ireland, Dedalus, New Island, The Nordic Irish Studies Journal, among others. Literary prizes include The Hennessy Emerging Fiction Award, A Patrick and Katherine Kavanagh Fellowship, The Oliver Goldsmith Prize, The Maria Edgeworth and Cecil Day Lewis Award, among others. Her independent press, Fiery Arrow won the 2017 CAP Awards (Carousel Creates) sponsored by Dubray Books and Easons. A recently published response anthology to the poetry of Patrick Kavanagh, features over 60 poets, together with the original Patrick Kavanagh poems, courtesy of The Jonathan Williams Literary Agency.
Susan Condon was awarded a Certificate in Creative Writing from NUI Maynooth. Her short stories have won numerous awards including first prize in the Jonathan Swift Creative Writing Award. Publications include Ireland’s Own Anthology, My Weekly, Boyne Berries 22, Live Encounters, Flash Flood Journal, Spelk, Flash Fiction Magazine and The Flash Fiction Press. https://susancondon.wordpress.com/
Catherine Ann Cullen
Catherine Ann Cullen is an award-winning poet, children’s writer and songwriter, and recipient of a prestigious Kavanagh Fellowship 2018/19. Her three poetry collections include The Other Now: New & Selected Poems (Dedalus 2016). She is joint winner of the Joyce-Cycle Poetry Prize 2019 and won the Camac Song Contest 2018 and the Francis Ledwidge Award 2016 and 2009. She is Goodbody Writer in Residence at St Joseph’s School, East Wall, for which she won the 2017 B2A Award for Best Use of Creativity in the Community. Her latest book, All Better! (Little Island, 2019), poems for children about illness and recovery, is reimagined from Latvian. She has published two other children’s books with Little, Brown in the US. She is part of Revolting Women: A Rebel Cabaret in the Dublin Gay Theatre Festival, May 6th to 11th. https://catherineanncullen.wordpress.com/
Doreen Duffy studied creative writing and poetry at Oxford online, UCD & NUI Maynooth. Published internationally, she won The Jonathan Swift Award and was presented The Deirdre Purcell Cup at Maria Edgeworth Literary Festival. She was longlisted, Over the Edge New Writer of the Year 2017, shortlisted, Francis MacManus Competition 2017, her story ‘Tattoo’ was broadcast on RTE Radio One. http://doreenduffy.blogspot.com/
Eoin Flynn is a visual artist who uses writing as a part of his practice. Most recently, he was invited to show a series of his psychogeographical ‘Landscrapes’ at the Liverpool Independents’ Biennale 2018. It was only through the encouragement and example of Platform One Writers’ Group that he dared to turn a pen to poetry. He was raised in County Monaghan by a Kavanagh-adherent teacher of English and now works as a freelance designer of books and more.
Orla Grant-Donoghue’s first collection of poetry The Frayed Heart (Fiery Arrow Press) was published in 2018. Her haiku poetry on Ulysses was included in installations by artist Nickie Hayden at the Olivier Cornet Gallery in 2018 and at the James Joyce Centre in 2019. She wrote and recorded two poems “The Reflective Eye” and “Chroma” as part of the 2019 Poetry M’app project to celebrate Poetry Day Ireland http://www.poetrymapp.com/ Her poetry is anthologised in outlets such as Circle & Square (Fiery Arrow Press), WOMb: Celebrating Mothers (By Me Poetry) and more recently The Lea-Green Down (Fiery Arrow Press). She has broadcast memoir pieces on RTÉ Radio 1 Sunday Miscellany and published in the Irish Times (Family Fortunes). http://www.orlawrites.com
Brian Kirk is a poet and short story writer from Dublin. He was shortlisted twice for Hennessy Awards for fiction. His first poetry collection After The Fall was published by Salmon Poetry in 2017. His poem “Birthday” won the Listowel Writers’ Week Irish Poem of the Year at the An Post Irish Book Awards 2018. Recent stories have appeared in The Lonely Crowd and online at Willesden Herald New Short Fiction, Fictive Dream and Cold Coffee Stand. His story Festival was longlisted for the Galley Beggar Press Short Story Prize 2017/8. He blogs at www.briankirkwriter.com
Éamon Mag Uidhir
Dubliner Éamon Mag Uidhir first published a poem in 1969 in the broadsheet Book of Invasions. He edited Icarus and TCD Miscellany while at TCD during the 1970s, currently edits the quarterly poetry ‘narrowsheet’ FLARE, fitfully curates the online sonnet repository at www.sonnetserver.com, and has had poems published in many magazines. He made his reading debut in the 2015 Poetry Ireland Introductions Series and has since read at many sessions and open mics in Ireland and also in Paris and Barcelona.
Jasmina Susic (Dharma Rain Jazz) was born in Croatia. She has published three books of poetry: Nebo boje peperminta (Peppermint coloured sky), Liber, Belgrade, Serbia 2010; Osjecam se kao space shuttle (I feel like space shuttle), Slusaj najglasnije – Bratstvo dusa, Zagreb, Croatia, 2012;
Atomske bombe s Plutona (Nuclear bombs from Pluto), DADAnti, Split, Croatia, 2014. She travelled around Europe performing her poems and sharing her screams and finally settled in Dublin, where she still lives, dreams and runs the poetry & spoken word event Just Words in The MART Gallery, Rathmines. She is also dedicated to her spiritual journey through reiki, astrology, tarot and channeling. Her rants were seen and read in Germany, UK, Croatia, Serbia, Bosnia and Ireland.
Christian Wethered has been published in the UK and Ireland. He features in the ‘Best New British and Irish Poets 2018’, and was also selected for the ‘Poetry Ireland Introductions Series’. His debut pamphlet, ‘I Don’t Love You’, was shortlisted for the Melita Hume Prize, while his poem ‘Lethe’ was submitted for the Forward Prize 2018 (Best Poem Category).
Michael J. Whelan
Michael J. Whelan is a historian and soldier-poet living in South Dublin, Ireland. He deployed as a United Nations Peacekeeper with the Irish Defence Forces to the conflicts in Lebanon and Kosovo in the 1990s. He holds a Masters Degree in Modern History from NUI Maynooth and is keeper of the Air Corps Military Museum and collector of oral history for the Military Archives of Ireland Oral History Programme. His poems are published Australia, Paris, Mexico, USA, UK, South Africa and Ireland and included in ‘And Agamemnon Dead: An Anthology of Early Twenty First Century Irish Poetry, (Paris 2015) & ‘The Hundred Years War: Modern War Poems’ (Bloodaxe UK) 2014. He was selected for the Poetry Ireland Introductions series and was 2nd Place Winner of the Patrick Kavanagh & 3rd in the Jonathan Swift Awards. He has featured on T.V. and radio and at literary festivals and his debut collection ‘Peacekeeper’ was published in 2016 by Doire Press. He is currently working towards his second collection ‘Rules of Engagement’ to be published in 2019.
A night out, a glass of wine or two and suddenly the conversation turns into animated laughter where everyone – but me – has a Bog story they’re dying to tell.
As a city dweller, my childhood included nightmares from one of the many scary books I’d just read or maybe even a paper cut or two. My country friends, it appears, experienced a different kind of horror – the bog. But their retelling of those, not so long ago days, were so hilarious that I made them each promise to write a flash fiction piece for my Blog – an opportunity for us city folk to get an insight into what we were missing!
First up, is Nikki Whelan, with The Slog of the Bog:
The Bog: A place in Ireland where childhood labour is real, where midges kill, backs ache and summers are forever lost.
Every Sunday my dad would bring us on a mystery tour. In those days, there was no such thing as buckling up – there were no seat belts – so the five of us would pile into the back of his Ford Sierra Sapphire full of anticipation.
“Watch out for the Guards,” my dad would say, “two of you be ready to duck for cover.”
We rarely saw the Guards, but we would nod and laugh, bickering over which of us had to be ready to duck this week. These tours could bring us anywhere – from point-to-point race meetings in the backarse of nowhere, to horse sales in Goffs, the lakes of Blessington, Glendalough or even to view a dog trailer in Thurles. But each summer, one such trip would invariably bring us to the Clongory bog to pick a plot of turf.
When we’d arrive, Dad would get out of the car, make a big show of inhaling, then he’d turn to us with a big smile. “Doesn’t it look great?”
We’d all look at him confused and eventually reply that it looked the same as the plot from last year and the year before that. All our friends were excited about a summer in Spain, Cork, at their Granny’s or the Gaeltacht, while for us, our summer began at the bog …
After the turf was cut, it was time for our work to begin. First, we’d foot the turf. This involved stacking about 10 pieces of turf on top of each other, in different directions, to allow it to dry. A quicker alternative for drier turf was to clamp it (stacking in tepee fashion). That was too easy – we were hard core – we never clamped it. It was back breaking work. My siblings and I would compete to see who would get their line of turf footed first. I learned quickly that this was a futile exercise. Once you were finished your line, you would be directed to help the others.
After a few days of footing, with the summer sun beating off our backs, we’d all shuffle off the bog bent over like 90 year-olds. But this wasn’t the biggest evil of the bog – no, the biggest evil was getting eaten alive by midges. Swarms of them would come out, mostly in the evenings; it was an incentive to get our work finished early. They’d eat every unclothed part of us, leaving red itchy lumps the size of large grapes protruding out of us. We’d wear our socks pulled up high to save our shins. The only midge deterrent we knew of back then was smoking. Oh God, how we envied the adults who puffed away to midge freedom. My mom smoked tip cigars on the bog – but only on the bog – it was acceptable there. One day, I’ll be old enough to puff my way to midge freedom, I thought, totally unaware, back then, that I’d have gas central heating in Dublin and never have to spend another day on the bog!!!
When it was time to leave, if the turf still wasn’t fully dry, then we returned a few days later and we’d stack it then. I remember the days we’d wake to hear the rain pelting on the roof. How we loved rain, it was our saviour – the only thing that would spare us from the bog. Next was the bagging phase. The car and trailer were driven onto the bog so that we could throw the turf straight into the trailer. But, if the ground was too soft to drive on, then we’d load it into bags. These bags were then carried – or dragged, in my case – to the road and lifted into the trailer. Sometimes my Dad, after inspecting the ground and declaring it driveable, would get the car and trailer stuck in the bog. Amid laughs and shouts, all bodies on our plot and neighbouring plots would come together to push the car back out of the bog. Then we’d be back to square one, filling bags and dragging them out to the road.
We lived for our break, we’d eat ham, lettuce and salad cream sandwiches and buns. We’d drink as much Cadet orange as we wanted. We needed the sugar for energy. Our limbs would stiffen as we sat on the bog and we’d struggle to get up and back to our line.
Finally, when the trailer was loaded and secured, the proud journey home with the turf would begin. We’d sit in the back of the trailer on top of our loot, our bums bruised as they hit sharp pieces of turf as we chugged along. But we didn’t care. We’d make one stop on the way home at the local shop for orange Rocket ice-pops. This was our prize for a good day’s work on the bog. Nobody batted an eyelid at our black dirty faces and hands as each of us traipsed into the shop to claim our prize. But our day’s work wasn’t quite done. Once we arrived home, we’d have to unload the bags of turf into the shed. We’d stack them high, leaving the shed with a sense of pride, knowing that it would be a warm winter.
I hated and loved those long summer days on the bog. The smell of peat was lovely, an awful lot nicer than the smell from some of our other summer activities like mucking out stables. And the comradery on the bog was fantastic; we survived it together. We always left with sore backs but a great sense of achievement. You’d sleep like a baby after the slog of the bog – that is if the midge bites didn’t keep you itching all night!
Fiery Arrow invites you to the launch of
The Lea-Green Down
A collection of responses to the poetry of Patrick Kavanagh edited by Eileen Casey and including work from many poets, including:
David Butler, Gavan Duffy, Geraldine Mills, Joan Power, Tanya Farrelly, Brian Kirk, Doreen Duffy, Mae Newman, Paula Meehan, Brigid Flynn, Trish Nugent, Eileen Casey, Enda Coyle-Greene, Grace Wells, Marie Gahan, Maria Wallace, Orla Grant-Donoghue and Susan Condon.
Time: 6.30pm – 8.30pm
Date: Wednesday, 18 July 2018
Venue: The Irish Writers Centre. (Refreshments will be served.)
“The poet Patrick Kavanagh 1904-1967 would take enormous pleasure in having a standing army of poets and writers pay tribute to his work in this handsome and original publication. Eileen Casey has grasped the initiative, outcome of personal talent and imaginative enterprise, to honour one of our greatest national poets in this magnificent collection on the fiftieth anniversary of his death.”
– Dr Una Agnew
In a flash, life changes …
I’m delighted to have my flash fiction, Reunion, published in the July edition of Live Encounters.
Around her, commuters beam in the after-glow of a sunny weekend, while the train swishes along the rails bringing her closer.
Soon, after all this time, they’ll be reunited.
The train groans to a stop. Her stomach lurches: only two more stations.
“Breathe,” she mutters.
She shakes her head at the woman beside her.
In through the nose, out through the mouth, her internal voice commands. Obeying, she feels a slow calm creep through her body. She watches the canal ripple gently. Two swans grace the water while a blackbird soars overhead. Only days before she too was flying through the air, from Boston to Dublin, on a one way ticket. Today would determine her return.
The Truth About The Harry Quebert Affair, written by Joël Dicker and starring Patrick Dempsey (of Grey’s Anatomy fame) will soon, courtesy of MGM, hit our screens.
Under Jean-Jacques Annaud’s direction, Dicker’s entire novel will be brought to life over ten episodes. This is a similar approach taken to The Handmaid’s Tale, written by Margaret Atwood and starring Elizabeth Moss, which won a host of Emmy awards.
Back in the summer of 2014, I had the pleasure of interviewing Dicker in Dublin for writing.ie:
Having finished The Truth About The Harry Quebert Affair only days before the interview, I was intrigued to meet Geneva born Joël Dicker, a writer with a novel which belies his mere 28 years. He is hailed as Switzerland’s coolest export since Roger Federer, with rights sold to 45 countries in 32 languages and over 2 million copies sold in less than a year. For me, minus the supernatural element, it was reminiscent of a great Stephen King novel. Dicker laughs when I mention it – apparently, I’m not the first to make the comparison although he has not, yet, read any of King’s novels. I suggest that with his busy schedule he could try Joyland, far shorter than King’s regular books but, in my opinion, up there with some of his very best. Dicker, like King, has a way of bringing his books to life by producing such fully formed characters that you feel as if you already know them personally and you never want to let them go.
The Truth About The Harry Quebert Affair is set in New Hampshire. Here’s the blurb:
In the summer of 1975, struggling author Harry Quebert fell in love with fifteen-year-old Nola Kellergan. Thirty-three years later, her body is dug up from his yard, along with a manuscript copy of the novel that secured his lasting fame. Quebert is the only suspect.
Marcus Goldman – Quebert’s most gifted protégé – throws off his writer’s block to clear his mentor’s name. Solving the case and penning a new bestseller soon merge into one. As his book begins to take on a life of its own, the nation is gripped by the mystery of “The Girl Who Touched the Heart of America.”
But with Nola, in death as in life, nothing is ever as it seems.
Not just a book about an unsolved murder case, The Truth about the Harry Quebert Affair explores the price of fame and the seduction of success, the ferocity of the publishing industry and the power of the media, love in all its forms and what it means to be a truly great writer.
Dicker is currently on a roller-coaster ride, jetting in and out of countries so fast, while promoting his book, that his feet have barely touched the ground. Yet, relaxing over a coffee in the Ballsbridge hotel, he is charming and humble, excusing himself for a moment while he finds a socket to re-charge his iPhone.
This is a guy who has worked hard for what appears to be overnight success. His writing career began at age ten, when he was Editor-in-Chief of a monthly wildlife magazine, and wrote factual articles about animals. Until then he had not considered short stories. “I wanted to feel free to tell the story I wanted, because with the magazine I was only able to write true facts, so I tried short stories.” Dicker admits he finds it difficult to be able to condense a story enough to produce a short story, yet he managed it successfully with The Tiger which won an award in 2005. Some accomplishment for him, he laughs, as he nods towards his current novel, The Truth About The Harry Quebert Affair, which is over 600 pages long. Perhaps another similarity between himself and Stephen King …
At age 24, he wrote The Final Days of our Fathers which won the Prix des Ecrivains Genevois (Geneva Writers’ Prize) for unpublished manuscripts. The novel was subsequently published in 2012. His passion may always have been for writing, but he may well have taken another road when he headed off to an acting school in Paris. “I’ve always really enjoyed writing and playing music and doing some artistical creative stuff.” But Dicker explains, “I always felt the need to have a back-up plan. After six months, I realised I was not made for that. I really felt I should have a degree in something.” I ask if that’s how he ended up studying law. He laughs easily and nods, “I was not very good at literature and horrible at mathematics, so, I chose the only faculty at the University of Geneva that has no literature and no maths!”
We chat about his book and I ask whether his publishers might have requested him to shorten the title. Apparently that was never the case, but they were a little concerned about the pronunciation of Harry Quebert for his English-speaking audience. Dicker came up with a novel way to get over this problem. The waitresses, at the local coffee shop where the great Quebert frequents, are given a lesson by the owner, Tamara, on how to bring his order and on the correct pronunciation of his name:
“The chorus of waitresses croaked like frogs: “Kuh-bear, Kuh-bear, Kuh-bear.”
It does the trick!
With his first novel, Dicker had tried to imagine what it would be like to have his book in the shops, expecting the bookseller to have it displayed in the front window. But unfortunately, back then, that wasn’t the case. Today it is a different story. Wherever he travels he comes across huge posters of The Truth About The Harry Quebert Affair displayed in bookshop windows; most recently earlier today in Dublin. “I feel very, very lucky with this one. Each time I see a window I think of the first book and how disappointed I was.” When I ask where he was when he came across his first novel, he tells me it was “at a book chain in Switzerland called Payot. It’s a terrible memory actually,” he grins, “because the book was supposed to be out on 10 January and I told my friends, ‘go, try to find the book,’ just to make the bookseller think it’s a must-read. But there was a delay in the delivery of the book in France and Switzerland and no-one told me. So I was very disappointed. But then it came out a week after and I finally saw it and I was very happy.”
His love of books was fuelled by his mother who works in a bookshop called, La Librerit. Dicker tells me “it sounds like bookshop but it’s a play on words – to be free and to love.” Directly translated to For The Love of Books, this is a Geneva bookstore with an immense stock of children’s books which no doubt whet Dicker’s appetite from an early age.
Dicker chose America as the setting for his novel, mainly because of the amount of time he spent there as a child. His cousins lived in Washington DC and had a summer house in Maine; an ideal location for them to spend their summer holidays and a feeding ground for Dicker’s imagination.
I ask about Nola, a character loved, it seems, by all who come into contact with her. Dicker tells me that in the beginning, Nola was not in the novel at all. “The very first idea, the first layer, was just a house by the ocean. Then came Harry and then came Marcus and the relationship between them.” Joel goes on to explain his thought processes and how they developed. “I should give Marcus a girlfriend and so that was Nola.” Then he got the idea to change the dynamics, “I tried again, but Nola should be going out with Harry, that’s much more interesting. And then – she could be dead! She could have been murdered, which is even better, so always going one step further and one step further. I’m very bad with plans, I much prefer just to write and let the story unfold.”
Dicker had four novels rejected before he was finally able to find his first publisher, yet when I ask him for the best advice he could offer new writers he appears uncomfortable. “It’s to keep working. I feel out of place giving advice, or anything, maybe in thirty years . . .” he shrugs. “I’m just a very lucky guy.” At book signings, he regularly has writers asking him for advice; he says the only thing he can tell them is to “keep trying. It’s very hard at times, but maybe there’s nothing more than that. Keep trying and try again and again.”
While currently travelling and promoting his novel, Dicker is still “working hard, trying to keep the machine going. Even though I don’t have much time to write a lot, I’ll read some pages – write down some ideas and plot ideas.”
As the interview draws to a close he tells me that ultimately, ”you write to please yourself. You write for an audience, of course. You write because you want to be read; because you want to share your story. But if you tell a story that you don’t enjoy yourself, how can you expect people to read it and enjoy it?”
“The cleverest, creepiest book you’ll read all year. Twin Peaks meets Atonement meets In Cold Blood.”
Gaby Wood, Daily Telegraph.
He saved my life. That’s why I’m here, waiting patiently to see him, before finally returning home to my wife and child.
Doctors and nurses rush by, shouting to each other as they attend to yet another bloodied soldier. I count my blessings that we got out of there alive. Many remain; their bodies returning home while their ghosts roam the countryside searching for lost comrades. I still see them; piled high, adding to the putrid stench of the trenches while feeding the clamouring rodents. But it’s not just those of us who sign up for battle; with war it never is. We’ve all lost friends and family.
I remember those first days. We were young, naïve, our heads full of hopes and dreams. Kitted out for war, we marched in our smart uniforms, buttons gleaming, boots polished as we set off for a few months to right the wrongs of the world, vowing we’d be home for Christmas.
I shift on the bench, looking at the worn, muck-smeared uniform which has clothed me for the last four years. My darned socks peep from boots that appear to talk as I walk; the sole opening and closing with every footstep. My life now is full of terror. Nightmares have migrated to days where any loud sound can drop me to my knees. I’ll find myself rocking in place with my eyes squeezed tight, hands laced over the back of my head and a cold sweat running down the back of my neck.
Historian, Michael J Whelan, remembers Francis Ledwidge:
Today Monday 31th July 2017 is the centenary of the death of Irish poet Francis Lewidge who died in Flanders during the First World War 1917, it is also the hundredth anniversary of the beginning of the 3rd Battle of Ypres in which he was killed or ‘Passchendaele’ as it was known. Yesterday I attended in uniform the ‘Poetry Reading and Wreath Laying Ceremony with Gerald Dawe – Professor of English and Fellow of Trinity College Dublin in the National War Memorial Park, Islandbridge, Dublin.’ It was a special event organised by the Inchicore Ledwidge Society to honour the Irish soldier-poet Francis Ledwidge.
Being a poet and member of the Irish Defence Forces (a soldier poet) it was important for me to attend and remember Francis Ledwidge
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On 24 June, I attended the third Dublin Writers’ Conference. I left it feeling inspired, invigorated and with lots of new like-minded writers to connect with on social media. Having already attended the first conference I knew what to expect but, in my absence last year due to family commitments, the conference has grown substantially – word of mouth is a wonderful thing!
In attendance, were writers from all over Ireland as well as further afield with many from England, Scotland and America. The mix was electric. To give you a flavour of the day, I’ve included snippets from some of the speakers:
Tara Sparling gave a presentation on what you should do and, perhaps even more importantly, what you should not do to promote your book. Readers, she told us, are firstly enticed by a professional cover, then a great blurb and finally your book. They hate to be told what to do – so it appears that if you tell them to “buy my book” or “check out my book” – more often than not, they’ll rebel and do the opposite!
Laurence O’Bryan told us that the most important thing was to believe in your book. In this ever-changing world, he recommends you should research your chosen genre: the latest books, authors, blogs etc. By the time your book is ready to reach its readership you will have worked hard to prepare it for delivery – writing, researching and editing until it’s perfect. The reader expects nothing less and it is their Amazon reviews that will sell your novel. Laurence suggests sending out advance review copies, aiming to receive at least 10 reviews a month, with the ultimate goal of receiving more than 100 positive reviews.
Patricia Gibney brought us on her writing journey. When life dealt a number of harsh blows, she told us, it was creativity that helped her through the dark times. She shared a few tips: Don’t procrastinate. Writing is hard work, but just sit and write. Push past the self-doubt, keep negativity at bay and overcome rejections which are the bane of all writers. Patricia advised that passion should appear in all of your writing and the key to success was to persevere, be patient and while you’re waiting use the time to perfect your craft.
Jane Thornley began by telling us that what sells is a great story, a great cover and that
box sets are a gold mine – three books to be precise. Similar to Laurence, Jane felt it was very important to be aware of what is going on in the wider world. It’s important to keep your finger on the pulse so that you know your audience. This information is vital from a marketing perspective where even something as simple as the connotations your book title might conjure up, at any given time, could have a positive or negative impact on your sales.
Paul Feldstein from The Feldstein Agency told the audience that you should write for self fulfillment. When you’re novel is ready, he advised reading agents submission guidelines and following them to the letter. He also recommended reading the latest copies of the Writers and Artists Year Book and Jeff Herman’s Guide to Book Publishers, Editors and Literary Agents.
Conor Kostick gave us a crash course from the Finishing Your Novel course that he runs in the Irish Writers Centre and that many of us have already attended. There were many nuggets of information he imparted including how important it is to nail your point of view to ensure your reader has a seamless, immersive experience. He recommends grinding your research into dust to sprinkle through your novel. And when setting your scene, don’t be cinematic – instead use psychological adjectives, i.e. the mountain soars or the mountain looms – depending on the mood …
Louise Phillips, who also teaches at the Irish Writers Centre, opened by telling us:
To just turn up every day. To commit. To write. Writing 500 words each day will soon produce a novel. We were brought through various writing techniques she has used including Road Maps, Organic Writing and Mind Maps which are all useful at the three different stages of the novel. Part 1: where you set-up, establish and create your world. Part 2: the murky middle – full of self doubts – where she suggests you build a bridge to the next part if you’re stuck. And finally, Part 3: the resolution where, by now, your characters should have evolved. One of the most important things to remember, in order to engage your reader, is to make your characters real – as real as your family and friends.
Ken Athcity arrived on stage and we, the audience, watched first-hand as writers pitched their stories to the Los Angeles based movie producer who has created 30 major movie and TV productions and is a member of the Academy of Motion Pictures (the Oscars). Ken’s feedback gave us all food for thought as we watched to see what worked, what didn’t work and what may have a chance to make it on the big screen.
The Dublin Writers’ Conference has become the annual must attend event, offering writers at all stages an opportunity to engage with some of the best in the industry. What better way to hone your craft while also having an opportunity to network with like-minded individuals from all over the globe.
You could ask for nothing more …
Dublin is the UNESCO City of Literature:
The city of Swift, Joyce, Beckett, Yeats, Wilde, Synge & Shaw as well as the modern masters: Edna O’Brien, Roddy Doyle, Colum McCann and a dozen others.
Full conference details available here
Take A Step Towards Your Dreams!
23 – 25 June 2017
This conference will help you to improve your writing craft, self-publish successfully, and plan the marketing necessary for any author to achieve success whether traditionally published or self-published.
Three Ticket Options Available: €58 | €99 | €149
Choose which works best for you!
This year, the line-up of conference speakers include:
American movie producer, author, columnist, book reviewer and professor of comparative literature.
Multi New York Times best selling author. Romance Writers of America Lifetime Achievement Award winner and the Thriller Writers’ Silver Bullet.
Founder of BooksGoSocial.com, published mystery author, also self published, who provides self publishing support services for authors.
Bestselling & Award Winning Irish Crime Writer & Writing Craft Instructor at the Irish Writers Centre.
Award winning children’s author, Irish Writers Centre lecturer on Finishing Your Novel & prize winning historian.
Leading European self-publishing expert, award winning author and social media consultant.
the Irish crime novelist who sold over 100,000 ebooks for her debut novel in one month in 2017, topping charts in the United States and the United Kingdom.
literary agent with many years of experience in the U.S. publishing world, now operating a Northern Ireland based literary agency.
Author, leading Scottish crime writer, and author of Power Packed Book Marketing.
is an Irish author and the founder of the Alliance for Independent Authors, named one of the top 100 most influential people in publishing by The Bookseller.
Director, the Irish Writers Centre, Ireland’s leading writing centre, consultant in strategic & vision planning.
Dublin is the UNESCO City of Literature:
The city of Swift, Joyce, Beckett, Yeats, Wilde, Synge & Shaw as well as the modern masters: Edna O’Brien, Roddy Doyle, Colum McCann and a dozen others.
Full conference details available here
It is said, that to write well, you must read well. So, whether to improve your writing or for the pure enjoyment of a great tale, well-told, place Billy O’Callaghan’s, The Dead House, at the top of your list.
It was while scrolling through www.writing.ie recently that I came across an article about his debut novel that piqued my interest, the title alone creating goose bumps. It was apparent that, at the very least, I’d read a story written by a master short story writer who has honed his craft. He has close to a hundred stories published in literary journals and magazines around the world while still others have won awards including the 2013 Bord Gais Energy Irish Book Award for Short Story of the Year. That’s no mean feat!
So I went in search of The Dead House, published in early May, and on my third attempt managed to secure a copy. It all helped to heighten my anticipation. But finding this beautifully bound novel with its haunting image on any book shelf, I would have been instantly drawn to it. I felt as I had as a child when I came across a book I hadn’t read by one of my favourite authors and settled down to read, with a fervent hope that I wouldn’t be disappointed. I wasn’t.
O’Callaghan delivers a well constructed story which gradually builds to a heart-stopping crescendo. I read this book in two sittings. After the first ninety-five pages I took a breather, sending O’Callaghan a Tweet to tell him how much I enjoyed his book but that I’d probably be too scared to sleep if I read any more. He advised that another fifty pages in and I’d definitely be awake. I should have listened! Except – after another fifty pages – I no longer had the power to close the book. I had to read on. Unfortunately for me, it was close to midnight when I read the final page …
You can read the full review over on writing.ie by clicking here.
About The Dead House:
Attempting to rebuild her life after a violent relationship, Maggie Turner, a successful young artist, moves from London to Allihies and buys an ancient abandoned cottage. Keen to concentrate on her art, she is captivated by the wild beauty of her surroundings.
After renovations, she hosts a house-warming weekend for friends. A drunken game with a Ouija board briefly descends into something more sinister, as Maggie apparently channels a spirit who refers to himself simply as ‘The Master’. The others are visibly shaken, but the day after the whole thing is easily dismissed as the combination of suggestion and alcohol.
Maggie immerses herself in her painting, but the work devolves, day by day, until her style is no longer recognisable. She glimpses things, hears voices, finds herself drawn to certain areas: a stone circle in the nearby hills, the reefs at the west end of the beach behind her home … A compelling modern ghost story from a supremely talented writer.
If you’ve always wanted to write but didn’t know where to start, or if you’re returning to writing after some time away then this on-line course is perfect for you!
Course: Beginners Creative Writing with Doreen Duffy
Starts: Tuesday, 11 July 2017
Duration: Six weeks
This course will explore the wonderful world of creative writing. With steady encouragement and guidance you will complete manageable weekly assignments with one to one feedback from your tutor Doreen Duffy. This could be the start of your first short story, or the collection of short stories that will become your first book.
Click here for more information.
Limited to 10 participants, so early sign up recommended.
A short story – in a flash – one to keep you guessing to the end …
I’m delighted to have my flash fiction piece, Reflection, published in the US on Flash Fiction Magazine.
No partner. No kids. And the Christmas party only hours away.
The antique dressing table, rescued from my grandmother’s house, beckons. As an only child, I spent much of my childhood in the guest bedroom where it lived. Over the years, it has come to know all of my secrets.
I run my fingers along the redwood admiring the shiny brass trimmings. The oval mirror, set centre-stage, tilts backwards and forwards while the smaller ovals each side allow a full reflection. Sitting, I fit the ornate key into the lock and turn, removing the pots and potions from the drawers to begin my transformation.
Tonight is a special night.
A poignant short story about love and life
Awarded 1st Prize – Sports & Cultural Council City of Dublin VEC Short Story Competition, 2010
I’m delighted to have my short story, The Visit, published in the March edition of Live Encounters along with Irish writers Geraldine Mills, Doreen Duffy and Brian Kirk.
Bridie looked out the window of her terraced house. She smiled as she watched Sam pottering around in the garden, stopping to sniff the carnations.
He may not be very talkative but he never moaned at her for the occasional cigarette she enjoyed with her cup of tea. Opening the back door she called out to him. He didn’t even turn his head. It was hard to know whether he was ignoring her or going deaf. She called again and as he walked past her she looked at the sky tutting.
“It would have to rain today, Sam. I’ll be drenched by the time I get to the hospital – like a drowned rat.”
Sam just looked at her.
“Well I won’t be long,” she said, bending to kiss him on the head. She finished fastening the buttons on her shabby coat, tucked her scarf around her collar and pulled on her faded leather gloves. She gave herself a final look in the hall mirror, patted her grey hair into place, glided the end of her pink lipstick across her lips and frowned at the dark circles beneath her brown eyes. Taking an umbrella from the stand, she draped her handbag across her thin frame and pulled the front door closed, giving it a final tug.
Although it was raining she was glad to be outside. A soft day, her parents would have said, back in her native Donegal. The sky was blue, the sun was fighting to appear and there was even a hint of a rainbow.
Bridie opened the door into Cunningham’s Newsagent and queued at the counter. While everyone was talking excitedly about the millions to be won on the lotto this week, her mind wandered, thinking about what she’d cook for dinner later. Maybe as a treat she’d pick up sausages and white pudding and maybe a turnover that she could slice, toast and smother in Kerrygold butter finished off with a steaming mug of tea – something to look forward to. There were three more people in the queue in front of her.
A flash of green caught her eye, as something fell to the floor in front of her.