Category Archives: Interviews
Interview: Louise Doughty – Apple Tree Yard
Back in 2014, I had the pleasure of interviewing Louise Doughty for writing.ie. Having thoroughly enjoyed reading Apple Tree Yard, I was delighted to hear that the TV rights had been sold.
Kudos Productions are, “the people who made Broadchurch which was a really, really big drama here last year,” Doughty told me, “they’ve got a top script writer on board who’s done a first episode and now we’re just in conversation with broadcasters so, with any luck, it’s going to make it to the screen.”
And tonight at 9pm on BBC1 – with Emily Watson in the lead – it finally arrives!
As you wait, in anticipation, for the first of four episodes, you can learn a little more about Louise Doughty and her writing world. Read on …
Apple Tree Yard is English novelist, Louise Doughty’s, seventh novel. It has sold more copies than Gillian Flynn’s, Gone Girl, (hardback) and rights have sold in twenty-one territories worldwide. It has been shortlisted for the Specsavers Crime & Thriller of the Year Official Mumsnet Book Club selection for January 2014 and has also been selected as a 2014 Richard & Judy Book Club choice.
Understandably, my expectations were high as I read the first line and I’m delighted to reveal that Apple Tree Yard didn’t disappoint. It’s a slightly different thriller than the norm, with plenty of twists and turns, but that’s what makes it so utterly compelling . . .
Piqued your interest?
Whether you’re a reader or a writer, I know you’ll enjoy, hopefully as much as I did, hearing how and where Louise writes, why her characters are so engaging and what she considers to be the best piece of advice she could offer to writers struggling with their first novel.
I was a little surprised with the answer!
You can read the full interview on http://www.writing.ie by clicking here.
And remember to heed Doughty’s advice.
About Apple Tree Yard
Yvonne Carmichael has worked hard to achieve the life she always wanted: a high-flying career in genetics, a beautiful home, a good relationship with her husband and their two grown-up children.
Then one day she meets a stranger at the Houses of Parliament and, on impulse, begins a passionate affair with him – a decision that will put everything she values at risk.
At first she believes she can keep the relationship separate from the rest of her life, but she can’t control what happens next. All of her careful plans spiral into greater deceit and, eventually, a life-changing
act of violence.
Apple Tree Yard is a psychological thriller about one woman’s adultery and an insightful examination of the values we live by and the choices we make, from an acclaimed writer at the height of her powers.
Interview: Holly Seddon – Try Not To Breathe
Holly Seddon is a freelance journalist whose work has been published on national newspaper websites, magazines and leading consumer websites. Try Not To Breathe is her debut novel and has already been hailed as ‘the most original psychological thriller of 2016.’ While according to Tess Gerritsen, one of my favourite authors, this novel has: ‘A razor-sharp, fast paced plot and wonderfully complex characters. Not since The Girl on the Train have I been so captivated by a work of suspense.’
Naturally, my expectations were high and I was delighted to find that Try Not To Breathe delivered:
Alex is sinking. Slowly but surely, she’s cut herself off from everything but her one true love – drink. Until she’s forced to write a piece about a coma ward, where she meets Amy.
Amy is lost. When she was fifteen, she was attacked and left for dead in a park. Her attacker was never found. Since then, she has drifted in a lonely, timeless place. She’s as good as dead, but not even her doctors are sure how much she understands.
Alex and Amy grew up in the same suburbs, played the same music, flirted with the same boys. And as Alex begins to investigate the attack, she opens the door to the same danger that has left Amy in a coma…
I’m interested to know where the idea for Try Not To Breathe emerged from. Seddon tells me that it was while cooking dinner, some years back, when a health programme on the radio caught her attention. They were “talking about persistent vegetative states. Listening to the stories from loved ones left behind – unable to grieve but still having lost the person they loved – really floored me. And that’s where the character of Amy came from. Amy was a vibrant, brave 15-year-old in 1995. In 2010, she’s in the same hospital ward she’s been in for 15 years. A hot mess of a journalist called Alex stumbles upon her and becomes obsessed with working out what happened all those years ago.”
You can catch the full interview over on writing.ie by clicking here.
Interview: Graham Masterton – Blood Sisters
According to Peter James, Graham Masterton is “one of the most original and frightening storytellers of our time.” And who could disagree? Masterton was a bestselling horror writer who has now turned his talent to crimewriting. His experience of life in Cork, where he lived for five years, inspired the Kate Maguire series.
Masterton has written more than a hundred novels, across multiple genres, including horror, thrillers, historical sagas, sex manuals and crime fiction. Awards include a Special Edgar by Mystery Writers of America and the prestigious Prix Julia Verlanger in France.
I had heard that Masterton took less than nine months to write his 750 page second novel but I was amazed to find that his first novel, The Manitou, was written in a week! “I generally write quite fast because I was trained as a newspaper reporter from the age of 17 and then went on to become a magazine editor, so I am quite disciplined when it comes to writing and I have never had so-called “writers’ block”. I also imagine “writers’ block” to be some run-down apartment building where sad uninspired would-be writers sit in front of paraffin heaters and wrack their brains trying to think of something to put on paper.” Speaking of his second novel, Rich, he tells me that the reason it took much longer was “because it is a very lengthy historical saga and needed considerable research. By the time I wrote that, however,” he goes on to explain, “The Manitou had sold heaps of copies and movie rights had been sold, so I had the luxury of taking more time to write it.”
It is fascinating to hear this master storyteller explain how he writes and he offers plenty of advice to writers currently struggling through plot lines. “Some days I will write only a couple of pages, other days anything up to ten. It depends on the scene involved and the amount of research necessary. Sometimes it’s worth taking it slowly because it gives your brain time to work out a complicated plot and to ask yourself if your characters would really do what you had originally planned. The last crime novel; about Detective Superintendent Katie Maguire that I have just finished – Buried – took about eight months. I had to do a lot of research into cigarette smuggling in the Republic, as well as Irish history and Garda politics. I love it, though, no matter how much or how little I complete in a day. All I will ever say is, real writers write something almost every day, if they can. They simply can’t help it!”
You can catch the full interview, which includes plenty of tips for writers, over on writing.ie by clicking here.
About Blood Sisters
DS Katie Maguire hunts a serial killer who is targeting nuns, in this gruesome new thriller set in Cork.
In a nursing home on the outskirts of Cork, an elderly nun lies dead. She has been suffocated. It looks like a mercy-killing – until another sister from the same convent is found viciously murdered, floating in the Glashaboy river.
The nuns were good women, doing God’s work. Why would anyone want to kill them? But then a child’s skull is unearthed in the garden of the nuns’ convent and DS Katie Maguire discovers a fifty year old secret that just might lead her to the killer … if the killer doesn’t find her first.
Interview: Stuart Neville – Those We Left Behind
My eyes scan the luxurious Westin Hotel’s, Atrium Lounge in Dublin and land on the bearded guy in the corner, dressed in black. If it wasn’t for the fact that we’d already met, Stuart Neville would have appeared more rock star than author and my eyes would have moved on. I find later, that if he hadn’t caught the writing bug, that’s who he may have become. Although then he may have swapped his pot of tea for something a little stronger – in keeping with that rock image!
When we get talking about his life before writing he agrees that “it seems to be quite a common thread among writers that they’ll have done a lot of odd jobs over the years before they finally end up as writers. I worked in a music shop and I worked for a long time trying to break into writing music for film. I studied music in college” he tells me, “and then I did score one low budget feature.” He grins, “sort of a musical director – for want of a better word – on a short film with Ardhal O’Hanlon.” It appears that Stuart Neville’s hands have a claim to fame all of their own. In a scene where O’Hanlon has to play the guitar, it’s actually Neville’s hands that appear on screen!
Many readers have authors they admire and would relish an opportunity to chat to them about their craft. And every writer has a number of writers they feel the same way about. I was delighted to find that we were both fans of Stephen King who Neville actually met up with last year. “It was a bit of a thrill to meet him actually,” he says.
You can read the full interview on writing.ie by clicking here.
About Those We Left Behind
Those We Left Behind is the new DCI Serena Flanagan novel from the King of Irish Noir:
When 12-year-old Ciaran Devine confessed to murdering his foster father it sent shock waves through the nation.
DCI Serena Flanagan, then an ambitious Detective Sergeant, took Ciaran’s confession after days spent earning his trust. He hasn’t forgotten the kindness she showed him – in fact, she hasn’t left his thoughts in the seven years he’s been locked away.
Probation officer Paula Cunningham, now tasked with helping Ciaran re-enter society, suspects there was more to this case than the police uncovered. Ciaran’s confession saved his brother Thomas from a far lengthier sentence, and Cunningham can see the unnatural hold Thomas still has over his vulnerable younger brother.
When she brings her fears to DCI Flanagan, fresh back at work after treatment for breast cancer, the years of lies begin to unravel, setting a deadly chain of events in motion.
Those We Left Behind is in bookshops now, or pick up your copy online here.
Interview: John MacKenna – Joseph
Have you ever read a book which moved you so profoundly that you felt, because of it, your own writing would never be the same again?
In the last year, I’ve been lucky enough to read two such books, yet both author and genre-wise they couldn’t have been further apart. The most recent was, Joseph, by John MacKenna, which has just been launched by RTE Radio’s Joe Duffy. MacKenna felt it was about time that Joseph of Nazareth had a voice, and so in this contemporary novel, Joseph – a small-time builder in a small-time town – is for once, the central character.
Beginning the novel, I was unsure of exactly what to expect; but what MacKenna delivered, as a writer at the top of his game, was life to such fully-formed and interesting characters that you felt as if you knew them intimately. When the pages drew to an end, I felt myself slowing down, in the hope of somehow holding onto them – even for just a little longer.
It appears, if the reviews are to be believed, that I’m not the only one who feels this way:
‘A consummately skilled author’ – The Guardian
‘MacKenna is one of our most accomplished writers’ – RTÉ Guide
‘A writer whose emotional success rarely falters’ – The Irish Times
And even Jeffrey Archer had something to say . . .
You can read the full interview on writing.ie by clicking here.
About Joseph
‘It’s been forty years, and memory is the most unreliable of companions, so I can only offer these recollections with the proviso that you take them as the only truth I can call to mind. They’re my truth…’
When his ‘young fellow’ becomes involved in political agitation, and his own marriage begins to fall apart, Joseph of Nazareth must find a way to nurture hope.
The tale of a small-time builder in a small-time town, and his relationship with the charismatic figure he had treated as a son, Joseph humanises an often-overlooked Biblical character, and renders his story one for all time.
Joseph is available in bookshops now, or pick up your copy online here.
Interview: Stuart Neville – The Final Silence
“‘An exceptional talent, crime fiction doesn’t get much better,” Lee Child
I first had the pleasure of meeting Stuart Neville at the Killer Books Crime Festival in Derry last November and vowed to catch up on his books as soon as I returned to Dublin. I’m glad I eventually fulfilled that promise – I enjoyed The Final Silence so much that Neville has been added to my ever-growing list of favourite writers.
I found Neville’s writing style reminiscent of Ian Rankin who is quoted as saying, “fast, furious, bloody and good.” While James Elroy commented on The Twelve, ‘the best first novel I’ve read in years. It crackles. It grips you by the throat. It’s a flat-out terror trip. This is some guy to watch out for in a dark alley.”
I’ll be interested to hear what you think.
You can read the full interview on writing.ie by clicking here.
The Final Silence twists and turns like a rollercoaster with a powerful plot at its core. To whet your appetite, here’s the blurb:
Rea Carlisle has inherited a house from an uncle she never knew. It doesn’t take her long to clear out the dead man’s remaining possessions, but one room remains stubbornly locked. When Rea finally forces it open she discovers inside a chair, a table – and a leather-bound book. Inside its pages are locks of hair, fingernails: a catalogue of victims.
Horrified, Rea wants to go straight to the police but when her family intervene, fearing the damage it could cause to her father’s political career, Rea turns to the only person she can think of: DI Jack Lennon. But Lennon is facing his own problems. Suspended from the force and hounded by DCI Serena Flanagan, the toughest cop he’s ever faced, Lennon must unlock the secrets of a dead man’s terrifying journal.
Interview: Joel Dicker – The Truth About The Harry Quebert Affair
“The cleverest, creepiest book you’ll read all year. Twin Peaks meets Atonement meets In Cold Blood,” Gaby Wood, Daily Telegraph.
Having finished The Truth About The Harry Quebert Affair only days before the interview, I was intrigued to meet Geneva born Joel Dicker, a writer with a novel which belies his mere 28 years. He is hailed as Switzerland’s coolest export since Roger Federer, with rights sold to 45 countries in 32 languages and over 2 million copies sold in less than a year.
For me, minus the supernatural element, it was reminiscent of a great Stephen King novel.
Will you agree?
You can read the full interview on writing.ie by clicking here.
The Truth About The Harry Quebert Affair:
In the summer of 1975, struggling author Harry Quebert fell in love with fifteen-year-old Nola Kellergan. Thirty-three years later, her body is dug up from his yard, along with a manuscript copy of the novel that secured his lasting fame. Quebert is the only suspect.
Marcus Goldman – Quebert’s most gifted protégé – throws off his writer’s block to clear his mentor’s name. Solving the case and penning a new bestseller soon merge into one. As his book begins to take on a life of its own, the nation is gripped by the mystery of “The Girl Who Touched the Heart of America.”
But with Nola, in death as in life, nothing is ever as it seems.
Interview: Chris Pavone – The Accident
According to Michael Connelly, “Chris Pavone is the new best thing. The Accident proves the promise of The Expats. It is as intelligent and timely as it is relentless and gripping. Pavone is going to be around for a long time and now is the time to jump on the train.”
Moments before I met Chris Pavone, Stephen King had just Tweeted to his 350k+ followers, ‘THE ACCIDENT, by Chris Pavone:if you like real nail-biters, this is the best one so far this year’.
A wonderful writer and an interesting guy, Pavone talks writing, social media and the importance of having a plan. Similar to most avid readers, we have a preference for the physical rather than the virtual book, but his take on eBooks is refreshing – so maybe, after all, there is a place for both to inhabit our world . . .
Whether you’re a reader or a writer, I know you’ll enjoy, hopefully as much as I did, hearing how and where Pavone writes, why his characters are so engaging and what he considers to be the best piece of advice he could offer to writers struggling with their first novel.
Will you agree?
You can read the full interview on http://www.writing.ie by clicking here.
About The Accident
Isabel Reed, one of the most respected and powerful literary agents in New York, is in possession of a time bomb and she’s about to give it to her good friend and trusted editor at one of the top publishing houses in the US. Anyone who begins reading the manuscript is immediately struck by the importance of its contents. They can also see that publishing it could be dangerous, but it could also be the book that every agent, editor and publishing house dreams of… What they don’t realise is that reading it could get them killed. On the trail of this manuscript is veteran station chief, Hayden Gray, for him, quite simply, it must never see the light of day.
Interview: Louise Doughty – Apple Tree Yard
Apple Tree Yard is English novelist, Louise Doughty’s, seventh novel. It has sold more copies than Gillian Flynn’s, Gone Girl, (hardback) and rights have sold in twenty-one territories worldwide.
It has been shortlisted for the Specsavers Crime & Thriller of the Year Official Mumsnet Book Club selection for January 2014 and has also been selected as a 2014 Richard & Judy Book Club choice.
Understandably, my expectations were high as I read the first line and I’m delighted to reveal that Apple Tree Yard didn’t disappoint. It’s a slightly different thriller than the norm, with plenty of twists
and turns, but that’s what makes it so utterly compelling . . .
Piqued your interest?
Whether you’re a reader or a writer, I know you’ll enjoy, hopefully as much as I did, hearing how and where Louise writes, why her characters are so engaging and what she considers to be the best piece of advice she could offer to writers struggling with their first novel.
I was a little surprised with the answer!
You can read the full interview on http://www.writing.ie by clicking here.
And remember to heed Doughty’s advice.
About Apple Tree Yard
Yvonne Carmichael has worked hard to achieve the life she always wanted: a high-flying career in genetics, a beautiful home, a good relationship with her husband and their two grown-up children.
Then one day she meets a stranger at the Houses of Parliament and, on impulse, begins a passionate affair with him – a decision that will put everything she values at risk.
At first she believes she can keep the relationship separate from the rest of her life, but she can’t control what happens next. All of her careful plans spiral into greater deceit and, eventually, a life-changing
act of violence.
Apple Tree Yard is a psychological thriller about one woman’s adultery and an insightful examination of the values we live by and the choices we make, from an acclaimed writer at the height of her powers.
Interview: Alan Glynn – Graveland
Dublin born, Alan Glynn, is a graduate of Trinity College, Dublin. He has written three previous novels: Winterland, described by John Connolly as ‘timely, topical and thrilling’, Bloodland, which, according to the Sunday Independent is, ‘a cracking conspiracy thriller worthy of Le Carré’ and his debut, The Dark Fields, which was released in 2011 as the movie Limitless, and went to number 1 at the box office on both sides of the Atlantic.
His latest novel, Graveland, released this month, is the final part of a loose-trilogy of conspiracy thrillers. A Wall Street investment banker is shot dead while jogging in Central Park. Later that night, one of the savviest hedge-fund managers in the city is gunned down outside a fancy Upper West Side restaurant. Are these killings part of a coordinated terrorist attack, or just coincidence? Set deep in the place where corrupt global business and radical politics clash, Graveland is the explosive thriller of, and for, our times.
I had arranged to meet Alan Glynn at his Dublin home. He arrives to the door; phone in hand, as he deftly finishes one interview, ready within moments to begin another. He’s a natural. It was a pleasure to sit over a welcome cup of tea, surrounded by books, as he chats easily about his writing career, movie deals and his time spent in New York.
You can catch the full interview over on writing.ie by clicking here.